It has been suggested that sexually objectified women or men are visually processed in the same fashion as objects. Far from being unanimously accepted, this claim has been criticized by a lack of scientific rigor. A team led by Giorgia Silani, in collaboration with Helmut Leder, of the University of Vienna, and scientists of the University of Trieste and SISSA have explored the conditions under which this phenomenon persists. The results of the study were recently published in the renowned scientific journal PLOS One.
A controversial hypothesis called the sexualized body inversion hypothesis (SBIH) claims similar visual processing of sexually objectified women or men (i.e., with a focus on the sexual body parts) and inanimate objects, suggesting a possible cognitive mechanism behind human sexual objectification. Far from being unanimously accepted, this hypothesis has been criticized by a lack of scientific rigor. A team led by Giorgia Silani, in collaboration with Helmut Leder, of the Faculty of Psychology, University of Vienna, and scientists of the University of Trieste and SISSA have explored, in a series of four experiments, show that low-level perceptual features and visual exploration strategies can facilitate the occurrence of this phenomenon.
The study used a well-known visual matching task in order to detect the occurrence of the inversion effect (i.e., lower performance when stimuli are presented in the unusual upside-down orientation, usually observed when processing faces or human bodies vs. objects) in different stimulus categories: sexualized targets, non-sexualized targets and real objects. By varying the low-level visual properties of the stimuli, Cogoni and colleagues explored whether this effect is driven by differences in stimulus asymmetry.
The authors observed that symmetry plays a moderating role in shaping the inversion effect, in that presentation of more asymmetrical stimuli (i.e., with a pronounced difference between the left and right side of the image regarding the position of body parts such as arms, legs, ankles) led to lower inversion effect (due to ease in recognizing the stimuli both in the upward and inverted position) independently from the level of sexualization of the target.
Source: Read Full Article